Pahari Art - Himachal Pradesh And Jammu Kashmir
Pahari painting is the name given to Rajput paintings, made
in Himachal Pradesh and Jammu & Kashmir states of India. These paintings developed
and flourished during the period of 17th to 19th century. Indian Pahari paintings
have been done mostly in miniature forms.

Styles of Pahari Paintings
Pahari paintings of India can be divided into two distinct categories, on the basis
of their geographical range, namely:
- Basohli and Kulu Style (Influenced by Chaurpanchasika style)
- Guler and Kangra Style (Based on cooler colors and refinement)
History of Pahari Painting
Pahari paintings have been widely influenced by the Rajput paintings, because of
the family relations of the Pahari Rajas with royal court at Rajasthan. One can
also see strong influence of the Gujarat and Deccan paintings. With the emergence
of Bhakti movement, new themes for Indian Pahari paintings came into practice. The
Shaiva-Shakta themes were supplemented by argot poetry and folk songs of Lord Krishna
and Lord Rama. At the same time, the themes of the paintings revolved around love
and devotion also. There was also illustration of great epics, puranas, etc. The
depiction of Devi Mahatmya manuscript painted at Kangra, in 1552, has been much
acclaimed.
Types of Pahari Paintings
1)Basohli Paintings
The town of Basohli is situated on the bank of the Ravi River in Himachal.
This town has produced splendid Devi series, magnificent series of the manifestations
of the Supreme Goddess. Apart from that, it is also known for the magnificent depiction
of the Rasamanjari text. Artist Devidasa painted it under the patronage of Raja
Kirpal Pal. Gita Govinda of 1730 is also believed to have Basohli origin. Geometrical
patterns, bright colors and glossy enamel characterize Basohli paintings.

2)Bilaspur Paintings
Bilaspur town of Himachal witnessed the growth of the Pahari paintings around the
mid-17th century. Apart from the illustrations of the Bhagavata Purana, Ramayana
and Ragamala series, artists also made paintings on rumal (coverlets) for rituals
and ceremonies.
3)Chamba Paintings
Chamba paintings are quite similar in appearance to Mughal style of paintings,
with strong influences of Deccan and Gujarat style also. The late 17th century witnessed
Chamba paintings of Himachal being dominated by Basohli style, which ultimately
gave way to Guler painting tradition.
4)Garhwal Paintings
Garhwal Paintings originated in Himachal and were first dominated by the Mughal
style. Later, it started reflecting the cruder version of Kangra traditions.
5)Guler Kangra Style Paintings
The nature Guler Kangra style of Himachal developed somewhere around the year 1800.
It was a more naturalized version of painting, with visible difference in the treatment
of eyes and modeling of the face. Landscapes were also commonly used as themes.
Along with that, this style also accentuated the elegance and grace of the Indian
women.
6)Jammu Paintings
Jammu paintings of the late 18th and early 19th century bear a striking similarity
to the Kangra style. Shangri Ramayana of the late 17th and early 18th century was
produced in Jammu itself.
7)Jasrota Paintings
Jasrota paintings are mainly found in Jammu and Kashmir and revolve around
court scenes, events from the life of the kings, allegorical scenes, etc.
8)Kulu Paintings
The paintings of Kulu style include a Bhagavata Purana, two Madhumalati manuscripts,
etc.
9)Mandi Paintings
Mandi, situated in Himachal, witnessed the evolution of a new style under Raja Sidh
Sen (1684-1727). During that time, the portraits depicted the ruler as a massive
figure with overstated huge heads, hands and feet. Other works were characterized
by geometric compositions and delicate naturalistic details.
10)Mankot Paintings
Mankot paintings of Jammu and Kashmir bear a resemblance to the Basohli type, with
vivid colors and bold subjects. In the mid-17th century, portraitures became a common
theme. With time, the emphasis shifted to naturalism and subdued colors.
11)Nurpur Paintings
Nurpur paintings of Himachal Pradesh usually employ bright colors and flat backgrounds.
However, in the later periods, the dazzling colors were replaced by muted ones.
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